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What brought the kindred spider to that height,Then steered the white moth thither in the night? In the poem, Design Frost encounters a curious scene in his rural setting. He then witnesses a spider killing an unsuspecting moth atop a strange heal-all – an ordinary flower. However, rare is the color of flowers, spiders and moths. Their colors separate them from the rest of the picture, nature’s most desirable greens, browns and blues.
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Mountain Laurel
I started as an account representative, flying all over the country to show the creative work. My interest in the design area of the business grew, and the firm gave me a chance as an Assistant Art Director with no experience. This was at the same time that the Apple computer was taking over traditional paste-up for laying out projects. I jumped into the computer curve as did the other Art Directors, and ran with it. Comfort and hospitality define this newly remodeled ranch atop Signal Mountain. A beautiful two-story mountain stone fireplace greets you as you enter and sets the scene for the subtle charm that is found inside.
Their Living Names
Nestled in a charming neighborhood overlooking the city, this country French home exudes elegance and sophisticated comfort. The stone pavers lead you in to a welcoming foyer with a neutral color palette that is accentuated with beautiful iron and distressed wood lighting. Other features, such as, leathered granite countertops, built-in custom cabinetry flanking a stacked-stone fireplace, and copper and quatrefoil accent tiles are a couple features that make this French home a standout.
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A snow-drop spider……froth – “For sweet sour, smiling awfulness snow-drop spider’ looks unsurpassable, until we come to the almost obscenely horrible ‘a flower like froth.’ ‘Snow-drop spider’ ‘and flower-like froth’. Just as ‘dead wings’ and ‘paper kite’ in the following line, evoke the image of the foul ingredients for the soup. On a white heal all…a moth-They spider had caught hold of an insect on a flower called white heal-all, which suggests purity and safety, although the colour echoes the whiteness of the swollen spider. “Design” is one of Robert Frost’s greatest poems, a structural andsubstantive masterpiece.
The obvious contrast in Design is between declarative and interrogative. Initially there is a kind of assertion when the poet talks about what had happened to the moth when it had reached the while flower and had got entangled in the web of the spider and has thus become its prey. Then gradually the tone becomes questioning as the poet wants to know the design of nature – the moth was doomed to come to the spider’s web; it was already planned by the supernatural forces of nature. Mixed ready to begin the morning right,Like the ingredients of a witches’ broth–A snow-drop spider, a flower like a froth,And dead wings carried like a paper kite. Juxtaposition appears when two contrasting things are placed near one another in order to emphasize that contrast.
This is a shift in the poem that can be seen through a change in narrator, belief or setting. It can even consist of an answer to a question posed in the first half. In Shakespearean sonnets, the turn occurs between the twelfth and thirteenth lines, aka before the concluding rhyming couplet. But, in Petrarchan, the turn normally appears between the octet and sestet.
These lines have a musical quality to them and therefore reference, to an even greater extent, a potion. “death and blight” are the two ingredients needed to “begin the morning right”. The poem begins with the speaker discussing a spider and moth he found on the top of a flower.
They came together there, as if kindred spirits, in order for the spider to eat the moth. He wonders over this convergence and equates it to a witch’s brew. There are a few light-hearted lines in which the speaker plays with potion-related imagery. He then transitions in the sestet to discuss design, creation, more broadly, God. With a nod to an old English cottage, the Riverview cottage was designed to feel as though it had been established many years before its time. Painted brick, stone accents, brick tiled flooring and beautifully finished hardwoods come together to create a house full of traditional beauty and function.
The Death of the Hired Man

For instance, the transition between the fourth and fifth lines of the first stanza. Then steered the white moth…night– The line attempts at suggesting the air of mystery which envelops the entire story of spider and moth. What had that flower…white– This question sounds like ordinary annoyance at a fact that does to fit in, and the white flower begins to look like black when out of place. Design generally means a plan for the structure andfunctions of an artifact, building or system. When it comes to religion, it isabout god’s making of the world and its inhabitants. The title without anyarticle suggests that this poem is about the creation of god itself.

His deliberate departures from sonnet traditions, hisrichly allusive language, and the sly ironic touches complement one another,and they demonstrate that an artist sometimes attains a degree of perfectionthat is lacking in nature. Another important technique commonly used in poetry is enjambment. It occurs when a line is cut off before its natural stopping point. Enjambment forces a reader down to the next line, and the next, quickly. One has to move forward in order to comfortably resolve a phrase or sentence.
Unlike most famous poets of the 20th century who were known for writing free-form poetry, Frost’s best-known poems stuck with traditional rhymes and meters (e.g. Stopping By Woods on a Snowy Evening, The Road Not Taken)–“Design” is not an exception. Do you have any comments, criticism, paraphrasis or analysis of this poem that you feel would assist other visitors in understanding the meaning or the theme of this poem by Robert Frost better? If accepted, your analysis will be added to this page of American Poems. Together we can build a wealth of information, but it will take some discipline and determination. The last two lines, a rhyming couplet, consider the implications of a dark design and how this kind of creator might invent in order to “appall”.
The “cabinesque” exterior blends into the natural surroundings, and as soon as you walk inside, you’re whisked away to vacay! Land and water are the theme throughout, creating a relaxing atmosphere where we can unwind. Start your 48-hour free trial to get access to more than 30,000 additional guides and more than 350,000 Homework Help questions answered by our experts.
The fourth line of this stanza is enjambed, encouraging a reader to jump quickly to the fifth in order to conclude the phrase. Within ‘Design’ frost makes use of several poetic techniques. These include alliteration, enjambment, juxtaposition, and caesura.
Alliteration occurs when words are used in succession, or at least appear close together, and begin with the same letter. It appears a number of times in this piece, but a few examples include “flower” and “froth” in line seven of the first stanza and “design” and “darkness” in line five of the second stanza. ‘Design’ is one of Robert Frost’s more contentious poems. It was written as a response to the traditional depiction of God as a benevolent, all-powerful being who created humankind in his own image. I started my aesthetic training long before I actually had a job.
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Perhaps, Frost is saying, the designer of the world created it in order to disgust and inspire fear. The next two lines return to the image of the spider on the flower with the moth. Its dead wings are of obvious interest to the speaker who referred to them in the first stanza as “satin” and in the second as “a paper kite”. Another element that marks ‘Design’ as a Petrarchan sonnet is the turn or volta.
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